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Super Elliptical Table
Super Elliptical Table
Essentially a merging of an oval and rectangle, Danish poet/mathematician Piet Hein initially defined the “super ellipse” shape as a solution to an urban planning problem in Sweden. The year was 1959 and a new motorway was replacing Stockholm’s Sergel’s Square. Improving the efficiency of traffic through the area was crucial and Hein’s newly defined shape satisfied this need. Hein soon came to believe that the super ellipse was the most visually pleasing shape for any number of applications, including sports arenas, swimming pools and, of course, dining tables. Hein first collaborated with designer Bruno Mathsson on a line of super elliptical desks; their Super Elliptical Tables were designed for Fritz Hansen in 1968. This Super Elliptical Table seats six comfortably, but it’s even possible to squeeze a few more in at the gently rounded “corners.” Polished chrome legs support a white laminate top. This contract-quality surface is appropriate in the home or as a conference or cafeteria table. Original design and licensed manufacture by Republic of Fritz Hansen.
Item#
Product
Qty
Price
11568
Super Elliptical Table
$2,000.00
Measurements:
H 28" W 39.25" D 59"
Materials:
Polished chrome steel legs and base; white laminate top; aluminum banding.
Ships via Standard Service. View delivery options
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This is a fully licensed classic.
Arne Jacobsen
Arne Jacobsen bought a plywood chair designed by Charles Eames and installed it in his own studio, where it inspired one of the most commercially successful chair models in design history. The three-legged Ant chair (1951) sold in millions and is considered a classic today. It consists of two simple elements: tubular steel legs and a springy seat and back formed out of a continuous piece of plywood in a range of vivid colors.
Jacobsen began training as a mason before studying at the Royal Danish Academy of Arts...
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Bruno Mathsson
Bruno Mathsson descended from four generations of cabinetmakers in Värnamo, Sweden. A perfectionist to the core, he did not consider a piece of furniture complete unless it could pass inspection turned upside down. The designer experimented with carving, bending, laminating, and finishing different types of wooden frameworks and fashioning them with innovative webbings made of hemp, linen or other fabric. Mathsson would make a chair or chaise lounge, and continue to create variations and refine the piece until he was satisfied it was both...
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